All LIVE1 consoles feature 6 mono auxiliary returns and 2 stereo returns. The mono aux returns each come with level controls, as well as routing to AUX 5 and AUX 6 on returns 1 to 4, enabling effects to be easily added to the fold back / monitoring mix. The stereo returns have their own dedicated 100mm faders, balance control, PFL and mute switching, and routing to AUX 5 and AUX 6 when required.
An additional LINE input is available for connecting an audio source for interval or pre-show music and other playback material without using up valuable stereo or mono inputs. The LINE input is routed directly to the L-R master output.
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Each channel features 6 auxiliary sends, configurable either pre or post fader in pairs from the Pre/Post selections in the LIVE1 master section.
Pan and routing control is fully selectable to all subgroups and / or the master output. Channel monitoring is available using the PFL button which is configurable either PFL or AFL using the mode selections in the LIVE1 master section.
Every channel comes complete with channel mutes, signal level LEDs including overload and high quality 100mm long throw faders.
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The 4-band EQ utilised in the LIVE1 is derived from the EQ used on all the larger Cadac analogue consoles. Giving up to 18 dB of cut/ boost to all frequencies, with two swept mid sections on the mono channels and 4 fixed bands on the stereo channels.
All channels feature and EQ-in switch to enable bypassing of the EQ section if required.
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Mic Pre
The LIVE1’s high performance microphone pre amp circuit has been designed to deliver quality unrivalled in its class with full adjustment from 0 to 60 dB of gain. The microphone input is complimented with 48 V phantom power and an 80 Hz 12 dB/ octave high pass filter.
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There are 4 fully featured sub groups each with its 100mm fader, pan control, PFL and mute switching. Control and monitoring of the Master Output on the LIVE1 is provided via a high quality 100mm stereo fader, and features a mono summing selection, PFL and mute switching and dedicated 10 segment bar graph metering.
The Master Section features additional comprehensive 10 segment bar graphs metering, which is switchable to monitor either the group outputs / Stereo returns or the 6 auxiliary send levels. PFL / AFL monitoring is achieved with dedicated 10 segment bar graph meters. Master selection for PFL / AFL mode and AFL level is also available
PRE / POST auxiliary selection is controlled globally from the Master Section. Simple switching for each pair of auxiliaries sends. Talkback via a dedicated phantom powered XLR socket can be routed to all auxiliary subgroups or the L-R master output. The Master Section is completed with Headphone and Monitor output level controls.
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The comprehensive array of connections on the LIVE1 features mic, line inputs and direct outputs on every microphone channel.
Master output connectors on balanced XLR sockets and 3-pin XLR gooseneck lamp connectors.
All XLR and 1.4” jack sockets are high quality, high durability types.
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LIVE1 is Cadac’s first compact analogue console design. It is a fully specified console featuring the company’s renowned heritage of analogue engineering resulting in the audio quality that was once reserved for top musical theatre and touring productions.
The LIVE1 delivers Cadac’s core value of exceptional audio engineering at a cost effective price point that opens up new markets and applications for a professional analogue console.
This video provides an overview of Cadac’s LIVE1 small format analogue console
LIVE1 is at home in a multitude of markets from small clubs, touring and corporate events through to theatres, Houses of Worship and recording. The audio quality and level of flexibility makes the LIVE1 idea for a variety of applications including monitor mixing, sub-mixing, location and project recording applications as well as an ideal analogue front end for DAWs.
The preamplifier, designed with the latest engineering and component technology, puts the audio performance of the LIVE1 on a par with that of legendary large-format Cadac consoles regardless of the massive difference in cost. The Cadac signature is reinforced with an industry proven, proprietary Cadac 4-band EQ, with two swept mid filters, that delivers the Cadac characteristics of responsive and musical articulation.
The LIVE1 is available in three different frame sizes:
The LIVE1 delivers Cadac’s core value of exceptional audio engineering for a range applications for a professional analogue console.
| – | LIVE1 1642 |
LIVE1 2442 |
LIVE1 3242 |
Connector Type |
| Inputs (total) | 27 | 35 | 43 | – |
| Mono inputs with inserts (Mic) | 8 | 16 | 24 | Combi connectors |
| Stereo inputs (line) | 4 | 4 | 4 | 1/4 inch jack socket |
| Stereo effects return (line) | 2 | 2 | 2 | 1/4 inch jack socket |
| Mono aux return (line) | 6 | 6 | 6 | 1/4 inch jack socket |
| Talkback mic | 1 | 1 | 1 | 3 pin female XLR |
| – | ||||
| Busses | LIVE1 1642 |
LIVE1 2442 |
LIVE1 3242 |
– |
| Total | 15 | 15 | 15 | – |
| Subgroups | 4 | 4 | 4 | – |
| Aux Pre Fader (Monitor) | 6 | 6 | 6 | – |
| Aux Post Fader (Effects) | 6 | 6 | 6 | – |
| Aux switchable Pre/Post fader | 6 | 6 | 6 | – |
| Master LR | 2 | 2 | 2 | – |
| PFL (mono) | 1 | 1 | 1 | – |
| AFL (stereo) | 2 | 2 | 2 | – |
| – | ||||
| Outputs | LIVE1 1642 |
LIVE1 2442 |
LIVE1 3242 |
Connector Type |
| Subgroups with inserts | 4 | 4 | 4 | 1/4 inch jack socket |
| Aux outputs | 6 | 6 | 6 | 1/4 inch jack socket |
| Master output with inserts | 2 | 2 | 2 | 3 pin male XLR |
| Monitor out | 2 | 2 | 2 | 1/4 inch jack socket |
| Direct Output | 8 | 16 | 24 | 1/4 inch jack socket |
| Stereo Headphones | 1 | 1 | 1 | 1/4 inch jack socket |
| – | ||||
| Additional Features | LIVE1 1642 |
LIVE1 2442 |
LIVE1 3242 |
Connector Type |
| Desk lamp output (12V/5W) | 2 | 2 | 2 | 1/4 inch jack socket |
| 19” Rack mount option | yes | no | no | – |
| Channels | 1642 (8 mono 4 stereo) 2442 (16 mono 4 stereo) 3242 (24 mono 4 stereo) |
| – | |
| Auxiliaries | 6 mono (Switchable pre post fade in pairs) |
| – | |
| Sub groups | 4 |
| – | |
| Stereo effects returns | 4 (2 stereo) |
| – | |
| Mono effects returns | 6 balanced jack |
| – | |
| Input impedance | 15k Ohm electronically balanced |
| – | |
| Output impedance | 50 Ohm (balanced outputs) |
| – | |
| Nominal input level | 0 dBu |
| – | |
| Max. input level | +21 dBu (balanced) +10 dBu (unbalanced) |
| – | |
| Max. output level | +21 dBu |
| – | |
| CMRR better than or equal to | -50 dBu (20 Hz to 20 kHz) |
| – | |
| Signal to noise | -89 dB at unity gain |
| – | |
| Dynamic range | 11 dB 20 Hz to 20 kHz unweighted |
| – | |
| THD+N less than | 0.02% (20 Hz to 20 kHz) |
| – | |
| THD less than | 0.005% (20 Hz to 20 kHz) |
| – | |
| Frequency response | 20 Hz to 60 kHz 0.5 dB |
| – | |
| Crosstalk better than or equal to | -80 dBu (20 Hz to 20 kHz) |
| – | |
| Phase response | +5 degree at 20 Hz |
| – | |
| Power Supply | LIVE1 1642/2442/3242 – External Power Supply 100-240 V operation 2U 19” rack mounting |
LIVE1 Console Dimensions and Weights:
Dimensions:
LIVE1 1642 436.2mm wide (17.17”) x 173.5mm (6.83”) high x 539.3mm (21.23”) deep
LIVE1 2442 612.0mm wide (24.09”) x 173.5mm (6.83”) high x 539.3mm (21.23”) deep
LIVE1 3242 787.8mm wide (31.02”) x 173.5mm (6.83”) high x 539.3mm (21.23”) deep
Weight:
LIVE1 1642 12.9 kg / 28.44 lb
LIVE1 2442 17.9 kg / 39.46 lb
LIVE1 3242 22.7 kg / 50.05 lb
LIVE PS1 External power supply Dimensions and Weights:
Dimensions:
482.60mm wide (19”) x 88mm (3.46”) high x 185mm (7.28”) deep
Weight:
4.5 kg / 9.92 lb
